Inbox, events, calendar and finance on one surface. Build the line-up, hold your options, settle the invoices, without ever leaving the room you booked it in.
Inbox, roster, calendar and reporting on one surface. Every request across every artist: availability, fee counters and countersignatures in one thread.
The first comprehensive database of artists, agents, promoters, clubs and festivals, searchable by geography, genre and act type. Find the local scene in any city, and reach them whether they're registered or not.
The first comprehensive database of artists, agents, promoters, clubs and festivals, searchable by geography, capacity and date. Find the right rooms abroad to route a tour, and reach them whether they're registered or not.
Calendars hold options and holds before anything's confirmed. Budgets, role-based team access and logistics, all the way through to the night itself.
Find the artists who fit the night by city, genre and fee.
Ask the agent. The answer lands against the date, not in a thread.
Kaido free on Sat 14 Mar?
Yes, holdingAn option on the date, with an expiry that chases itself.
Fee, booking fee, set time, logistics and exclusivity. Line by line.
Deal memo out, signed and countersigned without leaving the platform.
Deposit invoiced, balance due on the night.
Flights, hotel, ground and hospitality for every act on the bill.
Balance settled, invoices closed, the night reported on.
Find the rooms that fit the run by city, capacity and date.
Requests land in one inbox. Answer against the artist's calendar.
Kaido for Sat 14 Mar?
Checking rosterOptions tracked to the hour. Confirm or release, never guess.
Counter the fee, set the booking fee, agree exclusivity.
Issued, signed, countersignature chased until it's back.
Deposit in, net terms tracked against the date.
Routing, flights and ground across the whole run of dates.
Balance in, commission split, reported per artist.
Made by people who book, for people who book. Built by a team of artists, event organisers and technology experts, on ten years in the scene and fifty professional interviews with the people who do this every day.
Technically, there’s no centralised tool for discovering new artists. We’re essentially sifting through tons of mixes and releases every week across multiple platforms.
If you had a system that you could use from the moment the artist is discovered right through to the agreed date, that would really be a huge change.
If I have the chance to do without emails, I do so straight away. To keep track of options, ongoing requests or interesting opportunities for our artists, I now need to use other platforms such as Asana or Google Sheets.
I think it’s very cool and it brings a lot of clarity. It’s really something that is awesome for people working in this business.
A KPI module to monitor artists gigs, it would be game changer.
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